A main tension (current tension, future tension or perfect tension) in the upper clause is followed by a main tension in the indicative mood or the subjunctive mind. Such a main voltage is followed: The main voltage of this first sample is over. Tense movements are inappropriate and are indicated in bold. There are frequent exceptions to the consequence of the tension rule (see Latin tenses-Sequence OF Tenses Rule). For example, verbs in conditional clauses generally do not follow the rule: General Directive: Create a primary tension for the main debate, and use occasional postponements at other times to display changes in the calendar. The set of rules, which includes the succession of time (and modes of main and secondary sentences) in the Italian language, generally corresponds to the „consecutio temporum“ of Latin grammar. The basic idea behind the sentence chord is quite simple: all parts of your sentence must match (or accept). The verbs must correspond with their subjects in numbers (singular or plural) and in person (first, second or third). To verify the concordance, you just have to find the verb and ask who or what does the action of this verb, for example: Walk is present, but should be passed to get consistency in time (yesterday); Rode is finished and refers to an action that was completed before the current period. The „return displacement“ of the voltage, as described in the previous paragraph, can be described as backshifting or a sequence of tensions.
On the other hand, in languages and contexts where such displacement does not take place, it can be said that there is a natural sequence. In general, the authors maintain tension for the main discourse and indicate changes in the calendar by changing the tension in relation to this primary tension, which is usually either a simple past or a mere present. Even apparently non-narrative broadcast ranges should use forms of verbs consistently and clearly. In all of these cases, the progressive or progressive part of the verb only indicates the current sec, that is, the current action, while another action takes place. General comments on strained relationships apply to simple and perfect times, whether it is a progressive element. The verb chord in this sentence makes sense, because the cake must be made before it can be eaten. I eat the cake is a clause for itself; the word that signals a new clause, entirely with a subject (I) and a verb (made). If you are very attentive to the tense verb chord, you will find that your writing can be easily understood by your readers. These errors often occur when writers change their minds in the middle of writing the sentence, or when they return and modify, but do not change half the sentence until the end. It is very important to maintain a consistent tension, not only in a single sentence, but beyond paragraphs and pages. Decide if something happened, if it happened or if it will happen, and stay on that choice.
With quotation marks to say that this part of the sentence represents the actual words of the minister. However, this requires the use of the natural sequence of tensions which, in the current situation, may not seem appropriate. There are several possible solutions to this problem: Despite the use of the subjunctive, verbal tensions follow rules similar to those of indicative mood.